《傲慢与偏见》
many people simply regard pride and prejudice as a love story, but in my opinion, this book is an illustration of the society at that time. she perfectly reflected the relation between money and marriage at her time and gave the people in her works vivid characters. the characters have their own personalities. mrs. bennet is a woman who makes great efforts to marry off her daughters. mr. bingley is a friendly young man, but his friend, mr. darcy, is a very proud man who seems to always feel superior. even the five daughters in bennet family are very different. jane is simple, innocent and never speaks evil of others. elizabeth is a clever girl who always has her own opinion. mary likes reading classic books. (actually she is a pedant.) kitty doesn’t have her own opinion but likes to follow her sister, lydia. lydia is a girl who follows exotic things, handsome man, and is somehow a little profligate. when i read the book, i can always find the same personalities in the society now. that is why i think this book is indeed the representative of the society in britain in the 18th century.
the family of gentleman in the countryside is jane austen’s favourite topic. but this little topic can reflect big problems. it concludes the stratum situation and economic relationships in britain in her century. you can find these from the very beginning of this book.
the first sentence in this book is impressive. it reads: “it is a truth well known to all the world that an unmarried man in possession of a large fortune must be in need of a wife”. the undertone is very clear: the foundation of the marriage at that time is not emotion but possession.
people always think that austen was an expert at telling love stories. in fact, the marriage in her book is not the result of love, but the result of economic needs. after reading this book, i know the truth is that a poor woman must be in need of a husband, a wealthy man.
i couldn’t forget how eager mrs. bennet wants to marry off her daughters. if you want to know why she is so crazy about these things, i must mention the situation in britain at that time. only the eldest son had the privilege of inheriting his father’s possessions. younger sons and daughters who are used to luxurious lives have no choice but marry a man or woman in possession of a large fortune to continue their comfortable lives. thus, we can see that getting married is a way to become wealthier, particularly for women without many possessions. jane austen told us that money and possession determined everything, including marriage and love in her century.
in “pride and prejudice”, the sister of mr. bingley strongly opposed his plan of marrying jane because the bennets don’t have many possessions and their social positions are much lower than them. from this, we can see there are a lot of obstacles for a not very rich woman to marry a wealthy husband. the society, the relatives would not allow them to get married.
in modern society, although the marriages of economic needs have decreased rapidly, the concept of “money determines everything” is still rooted in some people’s mind. a lot of parents try hard to interfere their children’s marriages. education background, possessions, jobs remains the main reason that may influence one’s marriage. marry for money is still a big problem in our society. we can’t help thinking: can money determine everything?
austen left this problem for us to think. the genius of jane austen lies in this perfect simplicity, the simplicity that reflects big problems. although austen was only 21 when she wrote “pride and prejudice”, her sharp observation of social lives makes the style of this book surprisingly mature and lively. the plots in her works are always very natural. the development of the plot is as inevitable as a problem in mathematics. i think the depth of pride and prejudice is the reason that makes this book prominent and classic. today, her book still can be the guide telling us the economic relationships both at her time and in modern time.
英文读后感之呼啸山庄读后感英文读后感（2） | 返回目录Published in 1847, WUtheRING HEIGHTS was not well received by the reading public, many of whom condemned it as sordid, vulgar, and unnatural--and author Emily Bronte went to her grave in 1848 believing that her only novel was a failure. It was not until 1850, when WUTHERING HEIGHTS received a second printing with an introduction by Emily"s sister Charlotte, that it attracted a wide readership. And from that point the reputation of the book has never looked back. Today it is widely recognized as one of the GREat novels of English literature.
Even so, WUtheRING HEIGHTS continues to divide readers. It is not a pretty love story; rather, it is swirling tale of largely unlikeable people caught up in obsessive love that turns to dark madness. It is cruel, violent, dark and brooding, and many people find it extremely unpleasant. And yet--it possesses a grandeur of language and design, a sense of tremendous pity and GREat loss that sets it apart from virtually every other novel written.
the novel is told in the form of an extended FLASHback. After a visit to his strange landlord, a newcomer to the area desires to know the history of the family--which he receives from Nelly Deans, a servant who introduces us to the Earnshaw family who once resided in the house known as Wuthering Heights. It was once a cheerful place, but Old Earnshaw adopted a "Gipsy" child who he named Heathcliff. And Catherine, daughter of the house, found in him the perfect companion: wild, rude, and as proud and cruel as she. But although Catherine loves him, even recognizes him as her soulmate, she cannot lower herself to marry so far below her social station. She instead marries another, and in so doing sets in motion an obsession that will destroy them all.
WUtheRING HEIGHTS is a bit difficult to "get into;" the opening chapters are so dark in their portrait of the end result of this obsessive love that they are somewhat off-putting. But they feed into the flow of the work in a remarkable way, setting the stage for one of the most remarkable structures in all of literature, a story that circles upon itself in a series of repetitions as it plays out across two generations. Catherine and Heathcliff are equally remarkable, both vicious and cruel, and yet never able to shed their impossible love no matter how brutally one may wound the other.
As the novel coils further into alcoholism, seduction, and one of the most elaborately imagined plans of revenge it gathers into a ghostly tone: Heathcliff, driven to madness by a woman who is not there but who seems reflected in every part of his world--dragging her corpse from the grave, hearing her calling to him from the moors, escalating his brutality not for the sake of brutality but so that her memory will never fade, so that she may never leave his mind until death itself. Yes, this is madness, insanity, and there is no peace this side of the grave or even beyond.
It is a stunning novel, frightening, inexorable, unsettling, filled with unbridled passion that makes one cringe. Even if you do not like it, you should read it at least once--and those who do like it will return to it again and again
《圣女贞德》英文读后感英文读后感（3） | 返回目录Learn to Live
——my thoughts after reading Joan of Arc
Sunshine shines over the statue in Orleans. The ordinary but famous girl named Joan is riding on her horse, smiling and looking down at the land that she has loved and fought on. She is the heroine of France, the saint from heaven. Her influences shine over every person’s heart, and I am deeply impressed by her story.
When Louis XIII was the king, the British and the Burundians invaded France and wanted to have the northern part of France. Joan helped French people coronate their new king, Louis XIV, getting almost all the invaded land back with the help of three saints. But after that, she was caught by the Burundians and was burnt on a cross by her enemy. This is the famous story about Joan, the saint. From a village girl to a national heroine, she only used a few years. How could Joan of Arc do that? I wonder.
Someone says the saints have chosen her and the God has given her power. But actually the real virgin doesn’t exist, From the birth of Jesus Christ in the first century, people have controlled the Christianity. I think the religion has become a tool between people. This kind of opinion about the success of Joan must be wrong.
Someone said, Joan had this wonderful success because of her confidence and will. I quite agree with this opinion. Because there aren’t any virgins in the world, so I think the appearance of the saints was only in Joan’s mind, actually nothing special happened to Joan. I think the things which really mattered were Joan’s thoughts. In my opinion, Joan must have some military ability to lead the whole army, because of her unusual image, Joan became more confident to the success. It let Joan had the will to be successful. So the success before did not happen by accident,. After some battles, Joan said that she had lost her support from the saints, but actually this didn’t mind. The more important thing was that she had lost her confidence and will, so she lost the battle at last.
So I think confidence and will are just like the foundation of success. All the success depends on them.
In the real world, confidence and will is always very important. During the XX Athens Olympic Games, Li Ting and Sun Tiantian have won the gold medal for the women’s double in the tennis game. It was the first time our anthem playing on the tennis court. Some medium says that they have won by chance. It was only a fairy tale. But I don’t think so. Actually they have won because of their believing in themselves, because they have confidence and will, so they have created a fairy tale in Greece. Their confidence and will have made the success, not by accident.
In our daily life, we must have confidence and will as well. Before the test we need to be confident to our actual strength or we’ll not give full play to our initiative. We need to be confident when we are speaking in public or others will not remember you among all the speakers. We need to have will in studying or we’ll not learn things solidly. We need to have will in our daily life or we’ll give up the things we are doing now. If we have confidence and will in our daily life, then I believe you’ll live brighter.
In this story, I also have some other opinions about some other scenes. For instance, I don’t like the way the saints treated Joan when Joan forgot the birthday of Virgin Mary. I think they have to give some time for her to explain herself. I like the way that Joan proved herself bravely as a female. I think the most important thing is not the differences in ***, but your views to this really matter.
So learn from this story, learn Joan’s braveness and her pureness, and learn to believe yourself, and get rid of all the bad habits and personalities of the characters in this story. We can avoid to be a coward, to be selfish and fatuous. Then every good personality we learn will be a blooming flower in our garden of heart and we’ll live with a life full of fragrantce!
项链英文版读后感英文读后感（4） | 返回目录《项链》是法国作家莫泊桑短篇小说的代表作。《项链》的情节可以说耳熟能详了，它的情节艺术也是脍炙人口的。小说按事件的自然进程叙写，以项链为线索展开情节。梦项链、借项链、失项链、赔项链、发现项链是假的——前一个矛盾的解决预示着新的冲突，直至发展到高潮。整个故事波澜起伏，引人入胜。情节的安排显示了作者独特精巧的艺术构思，人物的性格也在故事的发展中逐渐得以展示。 小说一开始，在我们面前出现了一个整日耽于梦想的美丽忧郁的妇女。她“美丽”，“丰韵”，“娇媚”，她还有“天生的聪明，优美的资质，温柔的性情”。正是因为“她也是一个美丽动人的姑娘”，于是她心里就凭添了几许不平与委屈。此处的“也”就很值得玩味。如果比较一下有无“也”的表达效果，就会发现一个有趣的现象：许多版本里的译文里没有“也”字，仅仅“她是一个美丽动人的姑娘”，那就只是一种纯粹的人物介绍。而我们的课文以几种中文译文为基础，并根据法文本校订后出现的“她也是一个美丽动人的姑娘”，就更符合作者的创作意图，更突出主人公的性格。 “窈窕淑女，君子好逑”，这只是玛蒂尔德梦想创造的神话罢了。可是，由于玛蒂尔德面临的现实是：她没有一个好父亲，没有一个好身份，没有一笔陪嫁金，因此就无法找到有身份有地位的好丈夫，只好委委屈屈地嫁给了与她门当户对的小职员路瓦栽。如果她是高老头的千金，定能成为高贵的男爵夫人或伯爵夫人；如果她是守财奴的女儿，拜倒在石榴裙下的亦定难计其数。年轻的玛蒂尔德因为不能过上奢华的生活而整日郁郁寡欢。为了排遣自己的“不幸”和“痛苦”，她找到了一个出口，那便是“梦想”。正如冰心在她的小诗《繁星》里说到的那样：“梦儿是最瞒不过的啊/清清楚楚的/诚诚实实的/告诉了/你自己灵魂里的蜜意与隐忧。”她的梦境不是太虚幻境，而是当时法国富贵之家奢华的真实生活。由于当时法国的社会现实中，人们疯狂地崇拜金钱，拜金主义的思想如汹涌的浪潮无情地冲击着人们的灵魂、生活、婚姻，于是玛蒂尔德不愿面对现实，直面人生，而把理想寄托在梦境里。无庸置疑，此时，我们可怜的玛蒂尔德已经完全被虚荣心俘虏了。 她变了！十年贫穷生活的磨练，不仅改变了她的容貌，更重要的是改变了她的精神。艰辛的劳动，艰苦的生活，把她从不切实际的幻想的云端拉回到切切实实的地面。站在我们面前的是一个新生的玛蒂尔德。 在对玛蒂尔德肃然起敬的同时，我联想起另一个不幸的女子——包法利夫人。她与玛蒂尔德一样，在平庸的生活与令人窒息的社会环境里寻找梦想的幸福。但玛蒂尔德一夜狂欢后，选择了一条新的人生之路；而她在尽情享受了浪漫的爱情与奢侈的生活，财产荡尽，债务累累之后，没有勇气重新生活，而选择了死亡。两相比较，我不禁为玛蒂尔德喝彩。 人生的际遇只是无数偶然性的连续，事前既无从逆料，事后也很难假设另一种可能。但是回首来路，我们还是情不自禁地设想：如果没丢项链，她现在是怎样一个景况呢？是仍旧每天做白日梦吗？是为了梦想而郁郁寡欢吗？是的，有可能。而丢了项链之后，青春美貌和人格尊严这两个砝码摆在人生的天平上，逼着她作出选择。她决定了，放弃了青春，选择了尊严。人生最重要的一刻就是懂得放弃，尤其是放弃那些最耀眼的、最浮华的、最具诱惑力的东西。那么这“极细小的一件事”是“败坏”了她，还是“成全”了她？豪华的生活的确令玛蒂尔德十分神往，但它不值得我们的玛蒂尔德拿出全部情感和人生尊严去下注。当风华一一过去，她定然知道踏实、恬静的心态是一笔怎样的财富。年轻时因追逐浮华而大喜大悲是多么的可笑可叹，根本没有脚踏实地地奋斗的人生更令人愿意去回味。 故事发展到这里，我们已经明白，玛蒂尔德为了保全自己的人生尊严付出了巨大的代价，这是不是悲剧呢？ 一般认为，玛蒂尔德最初是被强烈得可怕的虚荣心所俘虏；后来面临选择时，她义无返顾地作出了令人惊讶的决定。十年中，她同普通的穷苦妇女一样生活劳动，在生活中找到了自己的位置，这又是多么令人欣喜！再联系结尾，我们同样惊喜地看到我们的玛蒂尔德再度遇见自己的依然年轻美貌的朋友时，脸上露出了灿烂的天真的笑容。这笑是她自信与骄傲的表现。她自信，因为她内心的充实；她骄傲，因为她找到了自己的人生价值。因此，当她听说生活跟她开了一个更残酷的玩笑——项链是假的时，她是会坦然面对的。 因此，我相信，这个小说使读者在悲欢感慨之余，还能对世上的人与事看得更深些、更远些。它发人深省之处就是让我们目睹了浑浊、虚假、拜金、物欲横流的社会中的一颗金子般的心，一块沉浸在墨水里依旧保持美质的玉。这样看来，玛蒂尔德身上最美好的东西最终没有毁灭。难道你还认为这是一个悲剧吗？
读完《项链》后，实在不禁慨叹，人生实在是变化多端，令人意想不到啊！
小说家莫泊桑笔下的《项链》描述了一个经常哀叹生活困苦的漂亮女子玛蒂尔德为了和丈夫一起参加一个舞会，向朋友佛来思节太太借了一条钻石项链，并赢得在场众多男宾的青睐。但是舞会过后却发现项链遗失了，他们不得不买回一条新的项链给佛来思节太太。为了付这笔债，夫妇俩一起辛勤工作了长达十年的时间。一次偶然中，却从佛来思节太太的口中得知这让他们劳碌半生的项链居然是假的！
读完这故事后，大家或许会认为这一切恶果都是因为玛蒂尔德的爱慕虚荣所造成的，因此，她一点也不值得可怜，甚至会在笑声中带有一丝的嘲讽。最初我也是这样想的，但是，静下心来，脑子里慢慢的便飘出一个疑问：到底是什么样的力量，让一个原本娇弱纤细的女子坚持了长达十年的工作，直到完全还清债务呢？想到这儿，心中不禁为玛蒂尔德感到自豪。原来十指不沾阳春水的她，每天洗杯洗碗，搬运垃圾下楼，罐子锅子的油垢底子上把她十只玫瑰色的手指头都磨坏了。就这样一天一天地熬着，原来温柔的她变得像平民妇人一般。
这时，我的脑海中浮现玛蒂尔德十年后向朋友坦白说出项链是另外一条时，她脸上那既有点自负，又天真快乐的神气微笑，或许这就是世上最美丽的微笑了，尽管玛蒂尔德的外貌是个衰老的贫困妇人，但这时候的她却拥有一颗自尊高贵的心灵。在美丽与人格的天平上，她没有丝毫犹豫，决然说：“要还！”我为这时候新生的玛蒂尔德感到无比自豪。
这个故事让我清楚的看清了法国当时人们的极度虚荣以及拜金主义的疯狂横行，的确，在这样一个灰雾弥漫的社会里，要保存一个纯真善良，自尊自爱的心实在不容易。玛蒂尔德的一生是不幸的，她日日夜夜思恋的荣华富贵始终没有走进她半步，但是同时她也是幸运的人，残酷的现实终究让她清醒了，人生里不再只有哀叹与落寞。
其实拨开了终日幻想的云雾，我们会认识到生活中无论变化再大，困难再多，走向成功的路也只有一条，就是脚踏实地，全力以赴。
石碁第三中学 初三(7)班 张敏茹
点评:相信许多人都读过《项链》这篇文章,而对于小说的主题也有某种定势思维,本文却跳出了思维的桎梏,读出了主人公身上纯真善良的品质,观点独到,令人眼前一亮。但是,本文中心不够集中,在结尾处又呈现出另外一个观点,若能捉住其中一个观点,“咬定青山不放松”就会更好。
《哈姆雷特》英文读后感英文读后感（5） | 返回目录Shakspere (wrong spelling) created Hamlet--a man with wisdom and courage .In order to revenge on his uncle for killing his father, he pretented (spelling mistake) to be mad and suffered a series of misery. On the contrary, we can also say that Hamlet is rude and selfish for he did not think twice before his revenge . if (Capitalize "If" since it is the beginning word of the sentence.) a country has no king, how can a country keep alive (You need a question mark here since it is a question.) So, every thing has two sides, the bright side and adumbral side. Every time we make a decision we have to think twice.
Comment:
Be careful with your spelling, grammar, and punctuation. Too many uncessary mistakes.
It is good that you looked at both the dark and bright sides of Hamlet. Thats quite objective and convincing.
无聊集读后感-名著读后感 英文读后感英文读后感（6） | 返回目录无聊集这个题目曾经叫我沉思了很久。虽然无聊的人并不一定写得好诗，但自古留得好诗的人却都无聊，那些庙堂上做栋梁的做橼子的有用之材，到底也逃不过一句“屈平词赋悬日月，楚王台榭空山丘”，如果能这么看这么想，无聊倒也不坏。
中国的文艺评论一向不太正常，第一，作为被评论者，对＂公平评价＂的期望过高，这是作者群的自身素养问题；第二，对于评论者来说，是作为附庸还是权威，这个定位一直没有解决，如果评论人不能处于一种独立、超然的地位，真正意义上的文艺评论也就不会出现；第三，由于商业社会带来的炒作风气，使文艺评论更处于两难境地。如果不是古体诗词已经被摈于主流文艺之外(这是很可悲的)，恐怕笔者也没有机会在此平心静气地写下这篇文字。
引起我注意老流氓的起因，是缘于他的一篇译作：蒲白的<<隐居赞>>，这篇英文诗也是我所喜欢的。诗译得不错，用五古体，最突出之处，是在千百篇花里胡哨的网诗间显得那样平白，平白得叫人看不懂，而现在品得动五古的人确实也少。由此，我觉得这个人的品味不错，不是光看着字面读诗的人。后来事实证明，我的眼光还是有的。
叫我看走眼了的是老流氓的年龄，这里有一首叫<<次韵答静闲子>>的七律：
意气初回朔漠外，片帆还寄大江东；神州风景时时异，禹甸笙歌处处同；恨倘能消全仗酒，言无可立况于功；兴亡莫说前朝事，独立残阳怅晚风。
首联起得雄健幽远；颌联句式看来非常工稳，其实是很险的，如果一首七律在颌联就对应得这么稳，整篇很容易死板，关键在句尾的＂异＂和＂同＂这两字字意相反，反而与其内容扣得贴切，嘲讽之意尽出；如果说颌联表达了作者的满肚子不合时宜，那么到了颈联，所有的苍凉、沉痛，则全在这句法非常顿挫的十四字间表达得淋漓尽致！难怪当我后来知道老流氓的真实年龄时，是多么的惊讶！那应该是一个中年人的感受呢！
善于思、乐于思，在另一首七律中也体现得极好，最佳者尾联：
<<沉思>>
百千思绪结蛛丝，独坐沈吟不自持。寂寂中宵疑我在，冥冥万物付谁知。故园望断徒惆怅，荒漠栖馀只惘迷。天地无言花自落，冰轮终古出江湄。
老流氓自称不善写词，而据我仅见过的两首，其实是不错的，比现在网上许多志得意满之辈强。既然作者没有把填过的词选进这个集子，必定有他的理由。在广泛吸收的前提下，把脑力集中使用在一个专门领域内，是明智的。诗词俱能、诸体皆备，是当今网上评定才子的一条基本标准，如果这条标准真正成立，落选了也不必难过，因为大部分古代一流诗家都是要陪着落选的，莫非时代真进步到了诗词已经超越前人的地步？
老流氓的七绝见得不多，这集子里的三首有两首很好：
一、<<李商隐>>
襟抱平生知未开，独从蜡泪认寒灰；可怜香草美人意，却作章台走马猜。
这令人想起黄庭坚的两句：＂安知忠臣痛至骨，世上但赏琼琚词＂(书磨崖碑后)，以李义山，如果仅仅是朦胧浪漫的情诗，断不会高于柳三变，而今人对诗的理解，又有多少高明过一方花手绢的？
题《蜻蜓小憩图》
不向美人头上立，偏从湖海浪中浮；点破碧波三万顷，老荷尖上暂悠悠。
相当潇洒的自许小品，这在老流氓那种沉郁顿挫的诗风中，很少见，可能是作者性格的另一方面不经意的流露罢。
另外一首<<马诗>>，虽然立意不错，但意浅词陋，不应该是老流氓应有的水平。
来看看另外的三首五言：
<<苏东坡与青城山研讨会即兴>>
好鸟鸣深树，幽居集众贤；豁眸惊挺拔，洗耳爱潺湲；浊酒欣同饮，清诗喜共研；他年息尘事，来卧白云边；
<<海>>
出没金乌所，风涛自古今；乘桴思隐士，衔石想冤禽；涨落三山动，乾坤四极沉；木华有佳赋，犹作大潮音。
<<芳草>>
茸茸接空碧，寂寂动人愁；万古青如此，三生梦未休；芳馨寄前哲，摧折任时流；更有岁时荐，清高孰与俦。
“涨落三山动，乾坤四极沉”夺魄之句，而“万古青如此，三生梦未休”更见丰神。
以我来猜，老流氓的师乘有两处主要脉络：一是杜甫，二是古诗十九到建安一路。立意高古、绵里藏针，明显与宋后的风气有别。而以景象宏远、绝少盘空硬语的语态来看，如果老流氓能在难度更大的五言上多下工夫(这种体裁好象更适合他)，假以时日，必有大成。
古典诗词的语态掌握得已有相当火候。
老流氓在格律方面懂得比许多人多得多，但他这方面的优势我不愿意多说，他的才能也不应该止于一个格律专家的。
感觉上老流氓似乎还有更好的东西没有选进来。
我并不相信有先进的文学体裁，任何文学体裁之所以会走向衰微，是因为这种体裁不再有反映时代风貌的作品出现，所以也自然失去了代表时代的资格。艺术的存在价值，在于它是一个时代的镜像，而不是一个镜架子。而今天如何使旧体诗词重返主流文化，首先要面对活生生的社会而不是一具具古尸，这是无可避免的。但今人写旧体，比前人更难，旧文化已经跟我们隔了一道一百年的濠堑，要掌握和运用旧学，似乎还是＂卜卜斋＂(私塾)那种训练方式比现在的大学文科有效得多。
今人写旧体，首先基本格律必须精严，这应该有一个共识，否则这种体裁没有存在的前提。在这个前提下，有两种方法，一是直接以时语入诗，象聂绀穹先生那样；二是旧瓶装新酒，以古语状今时风物，这也不失为一个权宜之计，在保留古语态的美感和反映时代二者间作出妥协，这后一种似乎更容易为大家接受。而要负起这个责任者，有两样是不能或缺的：第一：追古之心，跨过宋后那一丛丛病梅，向汉唐气派看齐；第二，观今之目，摆脱古中国农业社会的审美氛围，感受时代特征。这种人在气格、修养、感受力都达到一定高度才行。这一方面，以发展的眼光看，除老流氓实在不作第二人想，因为他有这个潜质，如果不是以那种选网上才子的可笑标准来衡量，他实在比许多人全面和扎实得多了，虽然他现在还未曾定型，也幸亏还未曾定型。
在学问上、心态上，老流氓有早熟的一面。但毕竟是少年人，往往压不下负才使气的天性。看上一年间选入的诗，大部分是聊天室的唱和之作，当然这样练练笔交流一下也不错，但毕竟真正的好诗，是独立洪荒、交感苍穹时唱出的心音，就这个诗集看，也尚未有惊人的篇章。如果长久这样玩下去，那真是可惜加可惜了。
天将降大任于斯人也。。。。。。这样一篇读后感会不会使人心头太沉重？
名著读后感英文版英文读后感（7） | 返回目录as jane eyre, in her plainness and solitude, walks to and fro in the thornfield hall, her unfortunate childhood, conflicting love, and religious forbiddance all cannot stop her seeking a better life and cherishing the human nature. she broke loose the chains that jailed her spirit, and through her struggles she overcame the poverty, customs, social standards, and piety which all blocked her from her dream of happiness, and finally became the master of herself! it could be said that jane's life was earned through retaliation and pursuit, that she fought tooth and nail until the sunlight was won. the sunlight now in her palm, shines brightly unto her!
in fact, one has endless thoughts for the most effulgent sunbeam that shines after the storm. i always think in a difficult situation, if and when the hardships of this life is done, if and when the road of time no longer curves, if and when i try my best to walk to the end, will i be able to see the blinding sunlight? for the most important meaning in life is that, struggling through your trials you realize the value of your life, while taking away all the bitter misfortunes. only then will we see the true radiance of the golden sun...
trekking through storms
running towards the future
luminence of the sun
shines brightliest in the dark
let the difficult journey
feel like a luxury
the sun in my hand
fuels my arduous heart
my will to fight is strong
facing even the most unattainable heights
the sun in my hand
even if only after storms
mustering all of its heat
projects towards me
the warmest radiance
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