仔细阅读一部作品后，我们可以给我们很多启示。我们不能只看它。写一篇观后感。那么你真的知道如何写观后感吗？下面是爱学范文网为大家整理的英语电影观后感（5篇），希望可以帮助到大家。
篇1：英语电影观后感
Beautiful artwork, wonderful voices for the animated characters by David Bowie, Madonna, Jimmy Fallon, Robert DeNiro, and Ron Crawford. Great to see an imaginative, kind child as hero, and see Mia Farrow act again. Arthur uses his love for his grandparents and his intelligence to persevere and save the day. （A treat for artists in the audience is grandpa's personal journal of watercolors and sketches at the beginning of the movie）。 The action really takes off once the movie transitions to animation, and perhaps moves too fast, although the children with me were able to follow it. The animated characters are adorable and even though they are very contemporary, and the movie takes place during the depression, kids will be able to relate to the animated fantasy characters - since they are fantasy characters, there is no reason they can't be contemporary. Overall a nice story for kids, with some good lessons for kids re: love, loyalty, perseverance, intelligence.
篇2：英语电影观后感
God, or god in a wider sense, and human virtue, justice, are not externaldemands on human beings, are not letters on paper, are not banners for variousinterests. On the contrary, they arise from the inner needs of human beings, thepursuit of eternal values, and the inspection and discovery of the constantlychanging objective world. And only then will God, or religion and faith, guideyou through your own salvation and your own breakthrough. Ive been readingbuddhist altar sutra, six ancestors huineng founded to "sex" sees the Chinesezen Buddhism, the root is also mastered chan is no longer a way, a kind oftheory, a kind of discipline, is no longer the outward things, but of lifeexists in the deep hearts core, which reflects the rationality of religiousnature. Unlike eastern Buddhas who seek ethereality and transcendence, WesternGods may be more fixated on original sin and redemption, but both are productsof the human mind.
Andy with their wisdom and perseverance, finally completed the miracle ofthe escape, and let the warden get the deserved punishment. After he got out ofprison, why did he leave instead of following the usual Hollywood logic andtrying to prove his innocence?
Because God exists within. Sin and non-sin, at the level of the soul, thereis no need to prove but to constantly examine oneself! When asked again if hehad been reinvented before being paroled, Rhett said frankly, "Reinvented? Idont quite understand the meaning of this word. I used to repent every day, notbecause I was here, or because you thought I should repent. I tried to tell theyoung man who had sinned in the past what was right and wrong, but he could notfind it. Only the old man was left with white hair. The Shawshank Redemptionpointed out the way to salvation. God walks with the human soul at alltimes!
In the name of religion, doctrine, law and even justice, many people inmodern society, like The warden NORTON, have lost their basic honesty andcharacter as a human being in the name of personal and group self-interest, inthe name of exculpation, rhetoric and sophistry. When a man is accustomed toacting and without introspection, he has fallen into the hell of eternaldamnation, let alone redemption!
篇3：英语电影观后感
Based on the Stephen King (non-horror) novella “Rita Hayworth and theShawshank Redemption”， this is a simple story of hope made remarkable by theinteraction between the two lead characters. Both Tim Robbins and Morgan Freemando a fine job in terms of making their roles genuine and appealing, and also inthe way they work so well together. The production values throughout areoutstanding, but this is not a “fancy” film. Rather, it sticks to the story itis telling without resorting to flashy tricks to grab the audience’s attention.Although there is violence, some of it extreme, it is necessary to show the kindof place the prison is and is certainly not gratuitous.
The main theme is hope,not despair, and the violence serves only as a backdrop to that message.Unashamedly a feelgood movie, by the end one is wishing only that it wouldcontinue for a few more moments.
篇4：英语电影观后感
A review of the Pursuit of Happiness
“The Pursuit of Happyness” was released on the 15th of December . It is a dramatic story based on a biography of Chris Gardner’s nearly one-year struggle with homelessness. Directed by Gabrielle Muccino, the film stars Will Smith as Chris Gardner, and co-stars Jaden Smith playing Chris’ son, Christopher Jr. For Will Smith’s performance in the film, he was nominated for an Academy Award and a Golden Globe for Best Actor. The ‘different’ spelling of the title, ‘Happyness’ is seen by Chris Gardner on the building outside the play centre is son attends, which Chris reminds the owners of the building multiple times that it is spelt with an ‘I’.
The film shows us the struggles Chris Gardner has with homelessness. He is bankrupt because he invested his life savings in portable bone-density scanners, which he thought hospitals would be interested in buying, but in the end hardly any doctors wanted one, as they considered it an ‘expensive luxury’. During the struggles, his wife Linda leaves to go to New York and Chris and his son are left in San Francisco with no ine and living in a motel. Chris sees interest in bee a stockbroker, but to bee one he has to go through an internship. Meanwhile, Chris and his son are evicted because they can’t pay rent, and they are forced to go to a homeless shelter, and even one night had to sleep in the bathroom of the underground rail system. During his internship, he never once mentions his financial struggles and at one point he is asked to give one of his bosses 5 dollars for a cab, a sum that he can’t afford. After an intense six months, Chris is taken into the bosses’ office, and is offered a job as a stockbroker, the final scene shows him being in unbelief of the position he was offered and showing his happiness and gratefulness for the opportunity, Chris realises that his financial struggles are over as he now has a job with a regular ine.
Christ was unfortunate, for he got a wife who was not understandable at all (though she has her own difficulties) and was in bad luck with his business. But he was very fortunate also, for he got a son who was very thoughtful and, I think, tough life experiences always make a great person. It is said that this movie is inspired by a true story, and I want to say, this movie does inspire me a lot. What impressed me most are: Christ’s wife left him because of life pressure; Christ’s love to his son and Christ’s strong belief towards life. Through these, I know that it is not easy to be a good husband and a good Papa, since in reality, only love cannot only make everything. And I also learn that one has to strongly believe in himself, no matter how difficult the situation is, but of course, hard-working is indispensable.
篇5：英语电影观后感
"Cellular" has the setup for a solid straight-ahead thriller: A kidnap victim who does not know where she is being held phones a total stranger who must then stay connected on his cell phone to find her before she is killed. Joel Schumacher scored earlier with a similarly phone-themed Larry Cohen story, "Phone Booth." As executed by tone-deaf director David R. Ellis, however, "Cellular" bees an unintentionally hilarious cousin to Brian de Palma's "Raising Cain" and "Snake Eyes."
Ellis seems to have unwittingly spliced together two different films with mismatched tones: Kim Basinger as the kidnapee and Jason Statham as the kidnapper occupy the deadly-serious, straight-to-video thriller half, while Chris Evans as the rescuer and William H. Macy as a police officer seem to be in a "Saturday Night Live"-alum action edy. Nowhere else is the disjointedness in tone more apparent than when Basinger and Evans's performances are placed side-by-side during their conversations: The scenes keep cutting between an overwrought Basinger wringing out every drop of melodrama, while a blissfully inept Evans seems to be channeling a cross between Chris Kattan/Jimmy Fallon and Ben Affleck/Keanu Reeves.
Meanwhile, Ellis pulls out tricks intended to generate thrills and surprises. He throws in out-of-nowhere "shocks," a la "Final Destination"; he throws inflashbacks; he throws in a gun-blazing Macy in Jerry Bruckheimer action-hero slo-mo; and yet, Ellis has no handle on staging any of them petently. Case in point: "Cellular" is the proud owner of one of the most ineptly scored chase sequences ever, as if Ellis simply heard a snippet of the song's lyrics literally and paid no attention to the inappropriateness of the acpanying music .
And yet, for all of its failures as art, "Cellular" is always entertaining for those very same faults
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